An Ever-Evolving List of Beautiful Moments.
Everything after the 1:57 mark in Caroline Polacheck’s Parachute.
The outro on Smashing Pumpkins’ Hummer.
The way that transition shots in The Bear use long lenses to look into Chicago; as if travelling in its street and noticing details the way one can do when they decide to be completely present with what surrounds them.
The ending montage in Michelangelo Antonioni’s L’eclisse.
The first few shots after the introduction text in Blade Runner.
The moment when My Vitriol’s Always: Your Way explodes ten seconds into the song.
The Cowboy Bebop intro.
The way Tsukasa Hojo’s drawings in City Hunter make urban life feel alive even if frozen on paper.
The hidden tracks in the X-Files CD’s Songs In The Key of X, hidden before the first track of the CD.
The Intro for Final Fantasy VII Remake.
The moment in L’Avventura when the camera falls in love with an empty city; modernity in search of modern people.
The way cats jump and land.
The first time you explore the castle in Mario 64.
The entire cinema sequence in Alan Wake II.
The final battle in Hi-Fi Rush.
The guitar solo in My Vitriol’s Ode To The Red Queen.
The way Tonight Is What It Means To Be Young soars in describing the energy of teenage years.
The intro scene in The Warriors.